![]() And Walter Mair’s score is exhilarating throughout. The shark attack makeup effects are fantastic, yet there’s a missed opportunity on the sunburning. The CGI shark looks great, then two-thirds through the movie, it doesn’t. The script is thoroughly B-grade, though written by an A-grade writer ( A Prayer Before Dawn’s Nick Saltrese). I mean, the acting is good, but not always. Now, Shark Bait is nowhere as good as Tremors, the dialogue in Shark Bait is especially atrocious, and awkward character side plots seemingly come out of nowhere.Įven taking that into consideration, I still finished James Nunn’s film satisfied on a couple of levels, and it feels like there’s a combination of many little things that teeter just right on the line between greatness and travesty. It felt like that scene in Tremors where a bunch of those characters get thrown from a collapsing roof and then stumble uncoordinated to find higher ground. ![]() One, in particular, had me riotously yelling at my tv when the characters all fell laughably far away from their jet ski. Okay, obviously, it’s not going to win any Oscars, but Shark Bait has its moments. You can probably guess what happens throughout the rest of the film, and I know I’ll probably be going against the grain here-but Shark Bait is still kind of great. Shark Bait doesn’t reinvent the wheel, and it even feels heavily influenced by the films Open Water, Deep Blue Sea, The Shallows, and, of course, Jaws. Like any sharksploitation film, this shark has an unrelenting obsession that seems more like a humanistic quality than a shark can even be capable of. Image Courtesy of Altitude FilmsĪfter an accident leaves a member of their crew wounded and both jet skis out of commission, the situation becomes even more dire when a shark begins circling. ![]() I suppose that should have been expected from the producers of other sharksploitation films, 47 Meters Down and Great White. Instead, Shark Bait was keen to know the audience’s needs: basic characters with zero backstories eager to put themselves in the film’s harrowing situation. The characters and scene on the beach recalled Blumhouse’s Truth or Dare, and I half expected the same forced confabulation and additional friend acquisition in an attempt to add an extra dimension to at least one of the characters. No lie, I was kind of happy there wasn’t an exhaustive amount of exposition. Shark Bait, like its trailer, makes the leap from the beach to the water extremely quickly, and within the first ten minutes, these young twenty-somethings try to keep the party going by stealing a couple of jet skis and head out of a cove and into the middle of the sea. Sure, he’s not warning her about a Cabin in the Woods or telling her and her friends, “You’re all gonna die up there!” but he may as well be. If you watched the Shark Bait trailer last month, you saw most of these moments, including a beggar (Manuel Cauchi) warning Nat about the danger in the water in extreme horror trope fashion. It begins on the beaches at a night party where spring breakers Nat (Holly Earl), her boyfriend Tom (Jack Trueman), best friend Milly (Catherine Hannay), and friends Tyler (Malachi Pullar-Latchman) and Greg (Thomas Flynn) are pretty intoxicated. And the movie almost entirely takes place on the water. Oddly, the vastness of the ocean can be described as a bottleneck location, but being marooned without options while being circled by a great white shark doesn’t get any tighter. Last month, I mentioned the Shark Bait trailer as a film worth looking out for because it provided a fun atmosphere for a bottleneck thriller. ![]() Those lesser odds are about to be the fate of a handful of friends who get stranded out to sea in the new film Shark Bait. Sharks are misunderstood creatures that are rarely a threat to humans, and while shark attack percentages are low, they are never zero. One of the greatest moments I’ve had at Horror Obsessive was presenting the yuletide aquatic B-movie Santa Jaws during our holiday watch party last year. I’m a huge fan of sharksploitation movies.
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![]() Triple bearings in the freehub provide axle stability to handle higher vertical and torsional loads likely to be found on the cross course for 60 mins. Cross is all about racing in less than idyllic conditions and thankfully the hubs have stainless steel bearings for maximum durability. The super quick Speedsync 5-degree engagement provides instant acceleration and you'll never settle for the turbo lag of lesser designs again. Stan's builds the Iron Cross Pro rims to Neo Ultimate hubs which feature additional CNC machining to shave weight. For the privateer racer, the ability to change tires depending on course conditions are welcome and not really an option unless you have a fleet of tubular wheels up and ready. These rims are compatible with standard tubes but we view this as probably for a just-in-case scenario. ![]() The result: more stability, better handling, solid cornering, and better overall control. Pinch-flats are virtually eliminated allowing for a 30% air pressure reduction versus a standard clincher wheelset. With lower-profile, less vulnerable sidewalls, BST rims are also lighter and stronger by design, and accelerate more quickly. The result is more traction and less rolling resistance. BST rims secure the bead of the tire, not the sidewall, creating an air-tight seal while allowing the tire's sidewall to expand to its true, rounder, more effective profile. Bead Socket Technology rims are designed to match the shape of the tire's bead to create a safer and more air-tight interface. The Iron Cross Pro features Stan's trademark Bead Socket Technology (BST) featuring low profile beadhooks. The Neo Ultimate hubs feature five-degree engagement so grabbing the holeshot once the whistle blows and getting right back on the gas after remounting through the barriers will, in our heads at least, have us masquerading around like Wout van Aert in the rain drenched Belgian countryside when maybe it's just a grass crit in the middle of September the next town over. Stan's has pretty much written the book on tubeless rim design and the ease of tire install and overall performance are so worth the price of admission, you'll be wondering why you didn't do it earlier. Built specifically for gravel and cyclocross bikes, these wheels pack a startling amount of value, versus high zoot carbon tubulars wheels, when you look at their weight and consider the tubular-esque performance you'll achieve with the ability to run lower air pressures. Rear Hub 32h 3.Go tubeless on your cyclocross bike with the Stan's NoTubes Iron Cross Pro Disc Wheelset and never look back…except to see how far you are gapping the competition. The 20mm internal rim width provides superior tire performance and the stability necessary for wider cyclocross tires. As a dedicated 'cross wheelset, the width of the Iron Cross rim means it's optimized for common width cyclocross tires. The Iron Cross disc rims are designed for superior burp resistance with low pressure tube-type cyclocross clinchers. The Rear 3.30RD hub is 11-speed compatible and also offered in a Campagnolo compatible version. The Comp offers the added durability and resilience of 32 spokes front and rear to handle the wattage of torque of the most powerful riders. The Iron Cross Comp Wheelset is 1590g complete with our 3.30 disc hubs. Step up to a true performance 'cross wheelset with our Iron Cross Comp. I removed the "Iron Cross" decals, so the rims are just black.Īsking $400, shipping included in the U.S. I will also include (1)160mm and (1)140mm discs. Will come tubeless ready with rim tape and valves. They were tensioned and trued about a month ago by a local bike shop. There is maybe 400 miles on these wheels.all road. For sale is a like new pair of Stans Iron Cross "Comp" wheels. ![]() Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior. Overusing our search engine with a very large number of searches in a very short amount of time.Using a badly configured (or badly written) browser add-on for blocking content.Running a "scraper" or "downloader" program that either does not identify itself or uses fake headers to elude detection.Using a script or add-on that scans GameFAQs for box and screen images (such as an emulator front-end), while overloading our search engine.There is no official GameFAQs app, and we do not support nor have any contact with the makers of these unofficial apps. Continued use of these apps may cause your IP to be blocked indefinitely. ![]() This triggers our anti-spambot measures, which are designed to stop automated systems from flooding the site with traffic. 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" onclick="return share_popup(this, this.title)" href="javascript: void(0) ">share this video Ricky King released it on the album Hitbox - 16 Superhits mit Ricky King in 1990. Keiji Haino, Masonna, Monde Bruits, Incapacitants, C.C.C.C., Hanatarash, MSBR, and The Gerogerigegege are also credited as performers in the "Rising" ( Thurston Moore) remix. Goodbye My Love, Goodbye by Ricky King was written by Klaus Munro and Leo Leandros and was first released by Demis Roussos in 1973. "Rising" ( Thurston Moore Remix) (8.48)."Where Do We Go from Here?" ( Tricky Remix) (5.07). ![]() "Talking to the Universe" (Cibo Matto Remix) (4.21).The album has sold 11,000 copies in the US to date. Released on 18 January, on Capitol Records, it features the backing band IMA (Japanese for "Now"), which included Ono's son Sean Lennon, Timo Ellis, and Sam Koppelman. Rising is a 1996 album by avant-garde artist Yoko Ono. After their disbanding, Brown struggled for a number of years with recordings before the release of 1985's " Living in America", and having success with the albums Gravity (1986) and I'm Real (1988). Eventually the Famous Flames left him as did his James Brown band by 1970 and Brown hired The J.B.'s who helped contribute to his continuing success in the 1970s. By the time of " Papa's Got a Brand New Bag", he used the Flames less and less as he became a full-fledged solo artist who was now involved in the development of a new R&B subgenre, funk. Brown's solo aspirations started around 1962. Later becoming The Famous Flames, they signed with Federal Records in 1956 and recorded their first hit single, " Please, Please, Please", which sold over a million copies.Īfter the hit release of " Try Me", following nine relative failures, the group scored a series of hit albums and recordings in the early 1960s. Brown joined the Flames in 1953, first as a drummer, and then as leading front man. 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The birds wonder where the eggs are, and the yellow bird notices that the pigs stole them and whent into space.The birds give up on the eggs but then notice that the mighty eagle has been captured,so the birds make a rocket and go to save the might eagle,get there eggs,and have revenge.They also meet Farth vader and yoda birds,wich decide to help them. ![]() ![]() They had 15 years to take out the power creep which ruined the franchise, and not only they didn’t do anything about it, they instead made it even worse.-It was lazily acquired, since all it took was joining hands-It foddered everyone who was not a saiyan even further, since only saiyans could be used to unlock it and use it-It ridiculed the concept of SSJ even further, since at this point even a fetus could count as one-It foddered even the SSJs, since Goku became even more overpowered and in less need of everyone else to support him in battle-Visually, it was just a hair color-swap -Its abilities were never explained properly, as they kept changing every few episodes (untraceable aura, power output, healing, zero ki drain) -It was pointless, as it had no significance, didn’t defeat someone, and was quickly overshadowed by the next power-upThe new villain, Beerus, was not even a villain, but rather a cosmic bureaucrat doing his job. It was mostly comedy and had another terribly handled power-up. So, everything began with a pilot movie called Battle of Gods. It was basically fan service for nostalgiafags and it worked spectacularly since many idiots ate it up immediately and called it amazing despite being a shameless cashgrab. Toyotaro ended up tracing over Toriyama’s artwork, and kept rehashing the exact same shit, regardless of not making any sense. But who would buy that? We live in the age of sequels and franchises that reboot every few years. It was also not really a continuation, since that would demand a new story with new characters, in order to start fresh and avoid all the inconsistencies that piled up over the years. The result was a lifeless continuation that could no longer excuse itself being bad because Toriyama was not part of it. He still hired Toyotaro as his best imitator and the one doing all the drawing, since he couldn’t be bothered to draw as he used to. ![]() So, he officially labeled GT to be not canon, and that Super is the real sequel, in effect rendering worthless terabytes of fan fiction and fan art. 15 years after GT, Toriyama decided that he wasn’t making enough money from all the poorly created videogames, card games, and countless types of merchandise that were constantly being produced based on his badly written franchise. Search no extra, question no additional, fret no far more, you identified your perfect FIFA 17 Download solution, you will certainly get the total model of the activity. As shortly as it will be release, the download hyperlink will be current after some working day of release of this video game. No Adult males sky laptop game has not been produced however for computer. 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Information, and no troubles with registry - these are areas all persons really should pay back awareness to. ![]() Though our most reliable measures of market valuations presently exceed levels observed at both the 19 market peaks, there's no assurance the current "V" - at this point, only the left side of a "V" - is the peak of a cyclical bull market. The final bull market advances that preceded the 1972-2009 collapses were a bit less steep, so they aren't included among these episodes. These instances cluster into 9 previous episodes across history: August 1929 (precise bull peak), August 1987 (precise bull peak), March 1998 (which was rather uneventful, but still associated with a correction of more than 12% from March levels by late-August), March 2000 (precise bull peak), April 2010 (which was followed by an unmemorable 16% correction into early-July), February 2011 (another unmemorable one, though also followed by a 16% correction by October), January 2018 (followed by a very quick 10% correction), late-August/early-September 2020 (followed by a very quick 10% correction), and today. This time may be different, but even the instances in the past couple of years have been unfavorable. That's the advancing side of a "V," and while that combination has only sometimes marked a bull market top from a full-cycle perspective, it has never been good from an intermediate-term perspective. There are only a handful of times when we've observed "overvalued, overbought, overbullish" syndromes that were also sufficiently frantic to drive the S&P 500 more than 10% above its 10-week low, and 10% above its 40-week average. Instead, the equity components shifted only after a sharp, near-vertical initial loss.Įven without the negative shift in our measures of market internals last week, we've been on high alert. I often describe unfavorable shifts in market internals as being driven by "deterioration" and "divergence." In 19, the ascent to the bull market peak was so steep and indiscriminate that there was little "divergence" in the equity components at the highs. That shift was a bit surprising, because it was driven by components that capture market behavior across "debt securities of varying creditworthiness." Interestingly, those debt-sensitive components were also the first to shift negative at the 19 peaks. While sufficiently extreme conditions can still hold us to a neutral market outlook, the shift to a bearish outlook requires deterioration or divergence in our measures of market internals, which are our most reliable gauge of whether investor psychology is inclined toward speculation or toward risk-aversion.Ī week ago, our primary measures of market internals shifted to a negative condition. So, we've become content to gauge the presence of speculation or risk-aversion, without immediately becoming bearish once speculation has become outrageous. It's just that historically reliable "limits" haven't been effective in recent years. But as we saw as recently as March, the market can still suffer significant losses during periods of risk-aversion, when the speculative bit drops out of investors' teeth. In late-2017, I abandoned my bearish response to those syndromes, along with my belief that reliable "limits" to the recklessness of Wall Street still exist. Still, the collapse of a speculative bubble can be curiously unsatisfying (as it was for me during the 09 collapses) if one happens to care about the well-being of others.Īs I've often discussed, the only aspect of the recent speculative bubble that was truly "different" from other market cycles across history was this: even extreme syndromes of "overvalued, overbought, overbullish" market conditions failed to signal a reliable "limit" to speculation. For historically-informed, value-conscious investors, it's typically a period of annoyance, bordering on contempt, for what Galbraith called "the extreme brevity of the financial memory" - often followed by opportunity and even vindication. For passive investors, it can be a period of exhilaration followed by panic. The speculative "V" is one of the most interesting and challenging features of the market cycle. An increase in divergence or general weakness across individual stocks, industries, sectors, or security-types (including debt securities of varying creditworthiness) would shift market conditions to a combination of extreme valuations and unfavorable internals, and open up the sort of 'trap door' situation that we observed in March. That's why sufficiently overextended conditions can hold us to a neutral stance even in some periods when our measures of market internals are constructive. The problem is that this has also often been true at the very peak of 'V' tops like 19. It's essential to monitor the uniformity of market internals, because investors still have the speculative bit in their teeth. |
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